Notes

Creating a new instrument from disparate organbuilding traditions often risks a lack of cohesion. However, there are occasions when a thoughtful fusion of two distinct schools can yield something truly exciting—especially when the context allows for it. Such is the case at Augsburg Lutheran Church in Winston-Salem where the music ministry, firmly rooted in a strong Lutheran heritage, also embraces a wide ranging repertoire.

The new organ has been conceived as a bridge between two distinct Romantic traditions: the Saxon heritage of Gottfried Silbermann—carried into the 19th century from the High Baroque to the Early Romantic by Berlin organbuilder Carl August Buchholz (1796–1884)—and the French symphonic style exemplified by Aristide Cavaillé-Coll (1811–1899).. The stoplist reflects this dual inspiration, divided between German and French voices that each faithfully embody their respective traditions.

Though fundamentally different, we are confident that the tonal aesthetics of these two worlds can converge in a singular, harmonious expression. To help realize this vision, Noack is thrilled to collaborate with Bertrand Cattiaux and Markus Zoitl, two exceptional  voicers who are bringing their unique expertise.